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Dirty South (music) : ウィキペディア英語版
Southern hip hop

Southern hip hop, also known as Southern rap, South Coast hip hop, or Dirty South, is a blanket term for a subgenre of American hip hop music that emerged in the Southern United States, especially in Atlanta, New Orleans, Houston, Memphis, and Miami.
The music was a reaction to the 1980s flow of hip hop culture from New York City and the Los Angeles area, and can be considered a third major American hip hop genre, after East Coast hip hop and West Coast hip hop. Many early Southern rap artists released their music independently or on mixtapes after encountering difficulty securing record-label contracts in the 1990s.〔(allmusic )〕 By the early 2000s, many Southern artists had attained national success, and as the decade went on, both mainstream and underground varieties of Southern hip-hop became among the most popular and influential of the entire genre.
==History==
Throughout the 1980s and 1990s, the American hip hop music market was primarily dominated by artists from the East Coast and West Coast. Los Angeles and New York City were the two main cities where hip hop was receiving widespread attention. In the 1980s, cities throughout the Southern United States began to catch on to the hip hop music movement.〔 The Geto Boys, a hip hop group from Houston, were among the first hip hop artists from the Southern United States to gain widespread popularity. Southern hip hop's roots can be traced to the success of Geto Boys' ''Grip It! On That Other Level'' in 1989, the Rick Rubin produced ''The Geto Boys'' in 1990, and ''We Can't Be Stopped'' in 1991. After the Geto Boys rose to stardom, Houston became the center for Southern hip hop. Miami also played a major role in the rise of Southern Hip-hop during this time frame with successful acts like 2 Live Crew and other artists who relied heavily on the Miami bass sound. In the late 1980s, other rising rap groups such as UGK from Port Arthur, Texas, and 8 Ball & MJG from Memphis, moved to Houston to further their musical careers.
By the 1990s, Atlanta had become a controlling city in southern hip hop music. Hip hop groups such as OutKast and Goodie Mob played a huge part in helping the South become a center for hip hop music. OutKast became the first Southern artists to generate album sales like the powerhouse rappers on the East and West coasts.
The most successful Southern labels during the mid-to-late 90's came out of the cities of Memphis and New Orleans. Both scenes borrowed heavily from a production style first introduced by way of the obscure late-1980s New York rap group The Showboyz, heavily sampling the beats from their songs "Triggerman" and "Drag Rap". By the turn of the century these scenes found mainstream success through Cash Money Records and No Limit Records out of New Orleans and Hypnotize Minds out of Memphis, revolutionizing financial structures and strategies for independent Southern rap labels.
By the early to mid-2000s, artists from all over the South had begun to develop mainstream popularity with artists like T.I., Ludacris, Lil Jon, Young Jeezy from Atlanta, Trick Daddy and Rick Ross from Miami, Lil Wayne and Juvenile from New Orleans, and Three 6 Mafia from Memphis all becoming major label stars during this time.〔Grem, Darren E. "The South Got Something to Say": Atlanta's Dirty South and the Southernization of Hip-Hop America." Southern Cultures 12.4 (2006): 55-73. Academic Search Premier. EBSCO. Web. Sep 14, 2011.〕〔Westhoff, Ben. "Finger-Lickin' Rap." Utne Reader 166 (2011): 80-83. Academic Search Premier. EBSCO. Web. Sep 14, 2011〕 In 2004, OutKast won six Grammy awards for their album ''Speakerboxxx/The Love Below'', including Best Album, while in 2006 the members of Three 6 Mafia won the Academy Award for Best Original Song for "It's Hard Out Here For A Pimp" from ''Hustle and Flow'', a Hollywood film about a fictional Southern rap artist. In 2005, the Houston rap scene saw a revival in mainstream popularity, and many Houston rappers started to get nationwide and world-wide audiences such as Paul Wall, Mike Jones, Chamillionaire, UGK, Lil' Flip, Slim Thug, Z-Ro, Trae, and many members of the Screwed Up Click.
The height of Southern hip-hop was reached from 2002 through 2004. In 2002, Southern hip-hop artists accounted for 50 to 60 percent of the singles on hip-hop music charts. On the week of December 13, 2003, Southern urban artists, labels and producers accounted for six of the top 10 slots on the ''Billboard'' Hot 100: OutKast had two singles, Ludacris, Kelis (produced by The Neptunes), Beyonce and Chingy (on Ludacris' Disturbing Tha Peace label). In addition to this, from October 2003 through December 2004, the number one position on the ''Billboard'' Hot 100 pop chart was held by a Southern urban artist for 58 out of 62 weeks. This was capped by the week of December 11, 2004 when seven out of the top ten songs on the chart were held by or featured Southern urban artists. In 2004, Vibe magazine reported that Southern artists accounted for 43.6% of the airplay on urban radio stations (compared to 29.7% for the Midwest, 24.1% for the East Coast and 2.5% for the West coast).〔Roni Sarig "Third Coast: OutKast, Timbaland, & How Hip-Hop Became A Southern Thing." pg xiv-xv〕 Rich Boy from Mobile, Alabama was successful in 2007 with his debut album.
Unlike hip hop in other regions of the United States, numerous mainstream Southern rap artists did not come from larger cities and instead came from either suburban areas or areas with smaller hip hop scenes. Notable examples include Field Mob, natives of Albany, Georgia, Bubba Sparxxx, from LaGrange, Georgia, and Nappy Roots, from Bowling Green, Kentucky and the artists of Trill Entertainment out of Baton Rouge, Louisiana.
Popular Southern artists to emerge in since the mid 2010s include Young Thug, Future, Travi$ Scott, 2 Chainz, Rae Sremmurd, Waka Flocka Flame, Gucci Mane, and Rich Homie Quan. Most Rec In addition, many younger non-Southern artists such as French Montana and ASAP Rocky has established themselves within the hip hop scene through southern flavored beats. have acknowledged being heavily influenced by Southern styles of hip hop.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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